ALICE HOLE - ARTIST
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'Spring Lane' 10x10" acrylic on paper, step by step 

13/3/2016

5 Comments

 
Whilst out exploring near where we live one March day, we found a lovely view of a lane with the trees in bud. There are many views like this one in Cornwall, and what made me want to paint this one was the promise of spring just ready to burst out. Also the I loved the composition of the lane curving through the painting, leading to who knows where, the rickety gate with glimpses of the rolling Cornish countryside beyond.

To start with I drew out the scene very accurately. I like to use photographs and any sketches I may have drawn as well as my memory when painting. I use a grid to help me scale up the drawing. It is so difficult to do this accurately by eye however experienced you are! In this case I just used 2 centre lines.
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A detail of some of the intricate branches. You can see I've drawn the buds of the new leaves on the tips of the branches.
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I started to lay down some colours at this stage. I worked on the sky first, then the hills in the background and then the path. It is important to work from the background forwards when painting in acrylics. I needed to work the sky first so that I could paint the branches of the trees over the top. It would have been a nightmare to paint it the other way around and paint the sky in between all those tiny branches!
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As you can see, I was using thin layers of paint so that the background drawing could still be seen. I use Winsor and Newton Professional Acrylics which I prefer as they can be nice and translucent when thinned down and therefore lots of layers can be built up.
You can see here how I have built up the layers in the bush and the fields.  
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Next I started to work on the foreground on the left hand side. This needed to be quite a lot darker than the background to give the impression of being so much nearer. I also had to tackle all those intricate, little branches!
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I started to build up the ivy on the tree trunks, again using lots of layering...
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Although the foreground was dark, the foliage; ferns, lichen etc was still visible
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Then I worked on the texture of the path. It was nice and gravelly which was rather satisfying to paint! I tried to put subtle shadows under the rocks to make them look 3 dimensional.
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Then I started work on the right hand foreground, once again making sure that it was dark enough and building up the foliage layer by layer.
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Finally I added the clumps of wild daffodils and the painting was done.
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This is the professional photograph of it from which prints can be made...
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5 Comments
Debbie Seton link
13/3/2016 04:57:03 pm

I've always loved this painting of yours and it's fascinating to see the whole process, step by step.

Reply
Alice Hole
13/3/2016 07:02:21 pm

Thanks Debbie! It was really great for me to look back and remember how I did it.

Reply
valerie Anscombe
16/3/2016 05:03:24 pm

Thank you so much for sharing the process - this amateur has taken notice of your helpful dialogue. Val

Reply
Alice Hole
19/3/2016 11:04:41 pm

Hi Val, you're very welcome :) You can always ask any questions if you'd like. Alice

university assignment help link
13/10/2020 06:25:49 pm

Beautifully painted down! A famous saying is that we should not introduce yourself we should work and let the work introduce us. I think in your case this saying is proved right. Your painting reveals such a great person you are. Do you mind if I take a print and put it on my wall?

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    Alice Hole

    This is my art blog showing you how my artwork comes together step by step...

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  • Gallery
    • Coast & Harbours Gallery
    • Villages & Towns Gallery
    • Landscape Gallery
    • The Penrose Project >
      • January 2018
      • February 2018
      • March 2018
      • April 2018
      • May 2018
      • June 2018
      • July 2018
      • August 2018
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